along7 gallery

Stories

Field notes on this moment in digital art, written from inside one collection. The artists, the drops, the auctions, and why any of it matters. Every one of them is really about the same thing: connection. The art leads; I'm just the one who kept the receipts.

The five hundred

Art Blocks numbered its projects like chapters, stopped at 500, and put the era behind glass. Then I started collecting it.

Read → 2026-07-18

How I got here

Before the art there was a game, and before the game there was Bitcoin. Under all of it, there was always art. Ten years from HODL to a seventeen-hundred-work gallery.

Read → 2025-06-18

What Cities Hold

SigmaX makes glowing cities. His What Cities Hold drop scattered its rarest 1-of-1s at random through the mint, and I will admit it, I used my statistics degree to go get two.

Read → 2026-07-11

The painter from Caracas

I wore Andres Del Vecchio's mask as my own face before I knew his story. Then I met him in New York, and we spent an afternoon in front of the American paintings at the Met.

Read → 2026-07-09

The curator of nostalgia

DeltaSauce calls himself an AI Wordsmith and a Curator of Nostalgia. His FEED series is the piece that turned this whole collection on, so I kept following. Then one day he started collecting me back.

Read → 2026-07-08

TDxL, and the color red

I grabbed every piece of TDxL's I could reach, the bidders and editions and 1-of-1s and animations, all of it. Then he told his story, and I understood why it had been hitting me so hard.

Read → 2026-07-08

When the file becomes a frame

Kris Shin shoots Kyoto quiet. I collected five of his Still Kyoto photographs before I learned five was the magic number, and now some of these NFTs are ink on my wall.

Read → 2026-07-07

You are the infinite light

An1 paints in the dark, in Los Angeles, and buries whole diaries in her canvases in two languages. I came for the images. I stayed to decode them.

Read → 2026-07-06

A quiet place to get away

Gul Yildiz makes emotive, figurative stills in Istanbul. I collected her at mint and through Ninfa, and somewhere in there she became one of the artists who collects me back the most.

Read → 2026-07-04

Two hundred faces

For a year I followed Justin Aversano's Moments of the Unknown one polaroid at a time, bid my way into just over two hundred of them, and on the seventh of April I shook his hand in New York.

Read → 2026-02-01

What an NFT is, now that pictures are free

One word covers oil on canvas, a film that never had a body, and a carving in wood. The word is not the point. What survives the word is.

Read → 2026-07-23

The guild years

Two crowns, one spreadsheet, four games, a coin that died, and the memes that kept it all funny. What crypto gaming actually felt like from inside.

Read → 2026-07-18

Who owns the picture

Buy a painting and you own the canvas, not the picture. The copyright stays with the artist. Minting did not change that. So what does a collector actually own?

Read → 2026-07-14

The feeling was mutual

I set out to collect other people's art. I did not expect so many of them to turn around and collect mine, to keep sending work my way, or to watch a hundred followers become a room worth speaking to. The table has two sides, and both of them gave.

Read → 2026-07-02

The year of the daily drop

For one year, collecting meant showing up. Not browsing a back catalogue, but being there when the drop went live, every day, saying good morning to the same people before the auction closed. This is the room that made the collection.

Read → 2026-06-30

Why I keep the originals

An NFT does not actually store the art. The token is permanent; the picture usually is not. So I keep the pictures.

Read → 2026-04-01