The curator of nostalgia

DeltaSauce works out of Dallas. He builds each image in his FEED series out of the sediment of found footage, the glow of old bedroom televisions and mall monitors, layered until the picture sits in the threshold between memory and static. When people ask which piece opened this collection up for me, I point at FEED. It was the grid that made me stop scrolling and start paying attention.

What he says about his own work

What kept me was that he talks about the work like it matters to him where it lands. When a collector reached out about a specific piece he did not just say thanks, he wrote, Much love for reaching out to me about this piece specifically. Happy it is in your collection. That is a small thing and it is the whole thing. He is running a real series, the Issues run, drop after drop, and he treats each home the piece finds as part of the record.

When it went both ways

For a long time this was a one-direction feeling. I collected him. Then in early 2026 the notifications flipped. I have just collected twilight_falls_01 by @pengwinpants, his account posted, and a minute later, willow_bridge_01 too. A couple of months on he added, Happy to see that @pengwinpants has acquired an edition of peeking and stems, both at the 7th edition. We had started trading walls. The artist whose FEED grid pulled me into this was now hanging my SERENIA editions on his.

Why he gets a room

FEED is the reason I trust my own eye here. It is not the most expensive thing I own and it is not trying to be. It is a body of work by someone who thinks about memory and decay and the strange warmth of a dead screen, and who does it every week, in public, in his own voice. His room holds what I have of it. Start with FEED and read forward.