Marathon

Collision is a series of ten abstract works responding to historic battles not as narratives, but as forces. Each piece translates conflict into pressure, rupture, and residue. Rather than depicting victory or defeat, Collision focuses on what remains after contact—compression, imbalance, and irreversible change. The works resist chronology and specificity, suggesting that conflict is not confined to a time or place, but repeats as a structural condition of human history. Together, the series reads as a continuous field of tension, where each collision echoes the next.